I have a theory about movie trailers. The number of trailers released in advance of a movie is directly proportionate to the poor quality of a film. If the movie is a dog, we get buried in advance release hoopla. A good film will succeed critically at the box office without a constant barrage of hype.
For the last several months there are two reasons I have tried not to view trailers for the new Beauty and the Beast. First, I wanted to be surprised by the film. I didn’t’ want to have any preconceived thoughts and I wanted to keep an open mind, even as my dread increased in direct proportion to the amount of hype. Movie trailers often leave me feeling as if I’ve already seen the movie or at least what the marketers think are the best parts. Second, the alarming number of trailers left me with the nagging feeling that Disney thought the movie was not beautiful and wonderful, but beastly and horrible.
Please be advised. I’m not a professional movie critic. If you’re expecting a review of the film, there are literally hundreds of newspapers, magazines and websites who make have people who make a living writing reviews you can read. Or, better yet, go see the movie and form your own opinion. But, since I’ve already started writing about the movie, I will happily give you some of my thoughts on what I think was good and bad.
Psst! Avast there! It be not too late to alter course, mateys—there be spoilers ahead.
Even though I knew the plot, I was still drawn into the story in its new form. In an earlier post, Drunk on Do-Overs?, I discussed the remake frenzy going on at the Disney Studios and my hope that the new filmmakers would, at least, add something new to the stories. I’m not talking about making it more “real” by removing some of the fantasy inherent in an animated film. I hope that they will, as Walt would say, “Plus it”, make it better. And, indeed, I feel the director, Mr. Condon definitely plussed things up in this movie.
First and foremost, was the deeper and more interesting relationship between Belle and Maurice. The tenderness, emotion, and natural chemistry between them at the beginning of the film makes Belle’s choice to take his place as prisoner that much more heartbreaking. And that she tricks him to do it makes our heart break for Maurice as he is dragged out. Condon came back to this key relationship several times later when we learn what happened to Belle’s mother and again in their short stay in the Asylum wagon.
In addition to Maurice and Belle’s backstory, we are given more detail about how the Young Prince’s upbringing laid the foundation for his later, fateful decision. This helps us see the Beast as more “human” rather than just a spoiled kid. He wasn’t a bad person, just flawed — like the rest of us. That context, together with the servant’s admission that they were complicit in the Prince’s inability to care or love for others, allows us to understand why the Beast has struggled in vain to lift the curse. (And why the innocent servants are suffering along with him)
Condon then lets us see the gradual development in the Belle/Beast relationship. The library is not just a gift, but the means by which they begin to bond. The intimate conversations we are privy to between Belle and the Beast let us see the development of their relationship that goes beyond feeding a few birds and throwing snowballs. We begin to see Belle warm to charms that the Beast has not exercised in many years, while the Beast begins to feel something other than self pity and hatred of the world.
I welcome the additional songs into the B&B canon. The work of Alan Mencken and Tim Rice shines in Evermore and How Does A Moment Last Forever. And putting some of the original lyrics back into “Gaston”, puts more punch in the song and makes the character seem even worse (shooting beasts in the back, etc.). Here again we’re given more rounded and developed characters than we were presented with in the animated film.
In the negative column. They left out three of my favorite lines: Cogsworth has two. “This is yet another example of the late neoclassic Baroque period. And, as I always say, if it’s not Baroque, don’t fix it!” and “Well, there’s the usual things. Flowers, chocolates, promises you don’t intend to keep.”
And from the song Gaston:
Gaston: LeFou, I’m afraid I’ve been thinking
Lefou: A dangerous pastime
Gaston: I know.
It’s all in the timing and it works better when sung rather than read.
I liked the dance break in the “Gaston” pub scene as well as the addition of Cadenza and his relationship with Madame Garderobe. And overall, the movie was beautiful to watch. There were lots of other small things that made the movie enjoyable. But now it’s time to turn to some things that detracted from the film.
The poorly used Pere Robert, as the spiritual leader of the small town, is made to appear more enlightened than others in the town because he shares books with Belle. But he then shows no inclination to do anything to help Maurice or Belle when the town turns against them. I expected he was going to be the one to let them out of the asylum coach. But, he just seemed to melt away. That’s no way for someone who would should have been a model of forgiveness and compassion.
I applaud the Disney leadership for not squashing Condon and Josh Gad’s decision to portray LeFou as gay. But, while I’ve enjoyed Gad’s performances in other things, I found his portrayal of LeFou to be uninteresting. His acting choices left me with a gay man displaying stereotypical behaviors that the worst in our society believe to be true. In the original, LeFou was employed as comic relief and a foil for Gaston. Gad’s LeFou always seemed to be a little out of place in his scenes with Gaston, who’s darker and more cowardly than the animated version. I felt that all that was left of LeFou was a whiney sycophant with little to remind us of his role or purpose in the story.
Taking away some of Cogsworth’s facial expressions caused him to lose some of his zing and appeal. And finally, I still don’t understand the snowball. Was I supposed to be surprised and amused? I think I was mostly horrified.
With any remake of a well-regarded film, there will be those who simply are unable to view the new version as a different movie. That would be easy, if the picture was bad by any measure. But, overall, I think the movie is an excellent film that can stand on its own without constant comparison to its animated predecessor. While there are facets of character that, in my eyes, keep it from being a great film, they are not devastating. I believe that this Beauty and the Beast will be a movie I will add to other Disney films that can watch many times in the future.